That charge has been led not only by solo projects, like Metro’s widely acclaimed debut mixtape, 19 & Boomin, with plans for new releases in the coming months, but also with his move into the live music and DJ space, as Metro continues to take his patented sound and high-impact, high-energy show on the road. Metro’s continued collaborations with Future are complemented by key contributions to projects from artists like Nicki Minaj (“Want Some More” from her now-platinum Pinkprint), Meek Mill (“Check” and “Jump Out The Face” from his chart-topping Dreams Worth More Than Money), Makonnen (his platinum debut single “Tuesday”), and many others, including Travi$ Scott, with Metro producing five songs on the rapper’s forthcoming Epic Records debut, Rodeo.ĭespite all of this success, it’s the work that Metro has done building and solidifying his own brand that has proved most fruitful – indeed, the producer’s “Metro Boomin Want Some More!” tag has become one of the best known in all of popular music. DS2 debuted at #1 on the Billboard Top 200 Albums chart. The two first began working together in 2012, churning out popular mixtape tracks like developing a relationship that led to Metro producing four songs from Future’s sophomore album, Honest – “Karate Chop” was joined by fellow singles “Honest” and the Kanye West-featuring “I Won,” along with album bonus track “How Can I Not.” More recently, Metro executive produced Future’s fan-favorite mixtape, MONSTER, as well as Future’s third solo album, DS2, on which he also contributed production to 11 of the album’s 13 tracks. The first of those hits, the Billboard-charting “Karate Chop,” is the the result of what has since become a long-running, undeniable partnership with one of hip-hop’s biggest stars, Future. Upon graduating high school, Metro moved to Atlanta, to attend Morehouse College, dropping out following his first semester after, he found himself in the studio more than the classroom, crafting hits for artists like Future, Ludacris, Gucci Mane, and others. Louis native, first started making beats at 13, an aspiring rapper who convinced his mother to buy him his first laptop as a birthday present. The Institute is working with the Eagle Hill Foundation in developing a retreat style study and meeting facility on the summit of Eagle Hill and in developing the Foundation's first journal, the Journal of the North Atlantic, focusing on peoples of the North Atlantic, their expansion into the region over time, and their interactions with their changing environment.At only 21 years old, Metro Boomin has become one of hip-hop’s most sought after producers and DJ’s, working with some of the genre’s biggest stars, a list of names that includes Future, Drake, Kanye West, 21 Savage, Migos, 2 Chainz, Gucci Mane, YG, Ludacris, Wiz Khalifa, Travi$ Scott, Young Thug, Meek Mill, and more.īorn Leland Wayne, Metro, a St. The Institute has a special interest in the legacy of Alexander von Humboldt, the most renowned natural scientist of the early 19th century.
It publishes the Northeastern and Southeastern Naturalists, two natural history science journals for eastern North America. The Institute actively promotes collaboration in education, research, and publishing by working together with scientists from the United States, Canada, Europe, and Latin America. The Eagle Hill Institute (formerly the Humboldt Institute) is located on the eastern Maine coast and is perhaps best known for the advanced and professional-level natural history science field seminars it has offered since 1987. Results implicate Green Crab bioturbation as a leading cause of Eelgrass loss from this system.
The mean plastochrone interval (time between formation of 2 successive leaves) of undamaged shoots was the same inside and outside the exclosures, and was comparable to published values from healthy Eelgrass beds in New England.
Following 26 d, mean survival of Eelgrass inside the exclosures was 82% and outside the exclosures was 24%. In September 2013, I transplanted Eelgrass shoots inside and outside of replicate Green Crab exclosures in a formerly vegetated area of upper Casco Bay. My objective was to determine whether loss of Eelgrass from Casco Bay was related to Green Crab disturbance. Green Crabs have been found to damage Eelgrass in Atlantic Canada through foraging activity, but destruction of established beds had not been documented in Maine. Eelgrass decline coincided with a population explosion of the invasive crab Carcinus maenas (European Green Crab). Over half of the Zostera marina (Eelgrass) cover disappeared from Casco Bay, ME, largely between 20.
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